Death – The Blessed Hellride

death - grim reaper

Play Video

This is going to be a little bit different than the image carousals in the pages before this one. When you are ready to go to the next image just rotate it yourself. Got an image you like just send it to submit@theblessedhellride.com

Shades Of The Past – Nox Arcana

Temple of the Black Pharaoh – Nox Arcana

The Crimson Hourglass – Nox Arcana

The Dark Tower – Nox Arcana

Nox Arcana – The Rose Of Winter

These are some videos about well the Grim Reaper and/or Death. Actually the Grim Reaper only comes after death, or not too long after death.

“Grim Reaper”
Statue of Death, personified as a human skeleton dressed in a shroud and clutching a scythe, from the Cathedral of Trier in Trier, Germany
A Western depiction of Death as a skeleton wielding a scythe

Death is frequently imagined as a personified force. In some mythologies, a character known as the Grim Reaper causes the victim’s death by coming to collect that person’s soul. Other beliefs hold that the Spectre of Death is only a psychopomp, serving to sever the last ties between the soul and the body, and to guide the deceased to the afterlife, without having any control over when or how the victim dies. Death is most often personified in male form,[citation needed] although in certain cultures Death is perceived as female (for instance, Marzanna in Slavic mythology, Dhumavati in Hinduism, or La Catrina in Mexico).

Celtic

In Breton folklore, a spectral figure called the Ankou portends death. Usually, the Ankou is the spirit of the last person that died within the community and appears as a tall, haggard figure with a wide hat and long white hair or a skeleton with a revolving head. The Ankou drives a deathly wagon or cart with a creaking axle. The cart or wagon is piled high with corpses and a stop at a cabin means instant death for those inside.

Irish mythology features a similar creature known as a dullahan, whose head would be tucked under his or her arm (dullahans were not one, but an entire species). The head was said to have large eyes and a smile that could reach the head’s ears. The dullahan would ride a black horse or a carriage pulled by black horses, and stop at the house of someone about to die, and call their name, and immediately the person would die. The dullahan did not like being watched, and it was believed that if a dullahan knew someone was watching them, they would lash that person’s eyes with their whip, which was made from a spine; or they would toss a basin of blood on the person, which was a sign that the person was next to die.

In Scottish folklore there was a belief that a black, dark green or white dog known as a Cù Sìth took dying souls to the afterlife. Comparable figures exist in Irish and Welsh stories.

In Welsh Folklore, Gwyn ap Nudd is the escort of the grave, the personification of Death and Winter who leads the wild hunt to collect wayward souls and escort them to the Otherworld, sometimes it is Melwas, Arawn or Afallach in a similar position.
Latin America
La Calavera Catrina

As is the case in many Romance languages (including French, Portuguese, Italian, and Romanian), the Spanish word for death, muerte, is a feminine noun. As such, it is common in Spanish-speaking cultures to personify death as a female figure.

The Canaanites of the 12th- and 13th-century BC Levant personified death as the god Mot (lit. “Death”). He was considered a son of the king of the gods, El. His contest with the storm god Baʿal forms part of the myth cycle from the Ugaritic texts. The Phoenicians also worshipped death under the name Mot and a version of Mot later became Maweth, the devil or angel of death in Judaism.

Helanic
In Ancient Greek religion and Greek mythology, Death (Thanatos) is one of the twin sons of Nyx (night). Like her, he is seldom portrayed directly. He sometimes appears in art as a winged and bearded man, and occasionally as a winged and beardless youth. When he appears together with his twin brother, Hypnos, the god of sleep, Thanatos generally represents a gentle death. Thanatos, led by Hermes psychopompos, takes the shade of the deceased to the near shore of the river Styx, whence the boatman Charon, on payment of a small fee, conveys the shade to Hades, the realm of the dead. Homer’s Iliad 16.681, and the Euphronios Krater’s depiction of the same episode, have Apollo instruct the removal of the heroic, semi-divine Sarpedon’s body from the battlefield by Hypnos and Thanatos, and conveyed thence to his homeland for proper funeral rites.[citation needed] Among the other children of Nyx are Thanatos’ sisters, the Keres, blood-drinking, vengeant spirits of violent or untimely death, portrayed as fanged and taloned, with bloody garments.

In Greek mythology, Styx is a deity and a river that forms the boundary between Earth and the Underworld, often called “Hades”, which is also the name of its ruler. The rivers Acheron, Cocytus, Lethe, Phlegethon, and Styx all converge at the center of the underworld on a great marsh, which sometimes is also called the Styx. According to Herodotus, the river Styx originates near Feneos. Styx is also a goddess with prehistoric roots in Greek mythology as a daughter of Tethys, after whom the river is named and because of whom it had miraculous powers.

Gaelic lore also involves is a female spirit known as Banshee (Gaelic: ban sibh pron. banshee, white spirit/fairy), who heralds the death of a person by shrieking or keening. The banshee is often described as wearing red or green, usually with long, disheveled hair. She can appear in a variety of forms, typically that of an ugly, frightful hag, but in some stories she chooses to appear young and beautiful. Some tales recount that the creature was actually a ghost, often of a specific murdered woman or a mother who died in childbirth. When several banshees appeared at once, it was said to indicate the death of someone great or holy. In Ireland and parts of Scotland, a traditional part of mourning is the keening woman (bean chaointe), who wails a lament – in Irish: Caoineadh, caoin meaning “to weep, to wail.”